Poetry: Graham, Hogg and Walsh
In Autobiography, James Graham traces a life shaped by chance--from wartime loss and accidental meetings to the moors of Scotland, love, poetry, and music. A tender reflection on heritage, art, and the blessing of new generations in a place that shaped him.
Art: The Dance by Mari Fitzpatrick |
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In Dull Day at the Beach, Julie Hogg drifts between Jerez and Cadiz, where dragonflies dance, sparrows sip the Atlantic, and a single wave arches like an eyebrow. A languid, sensual meditation on nuance, stillness, and the quiet poetry of the Costa de la Luz.
ART:
Louis Wain's whimsical scene turns Shakespeare's words into a rooftop feline romance. Under a haze of chimney smoke, a chorus of cats lounges, tussles, and courts across the tiled skyline. At the centre, a debonair black cat balances on a chimney pot, letter in paw, poised to serenade. His snowy-white rival sits smugly nearby, while pairs of cats embrace in the background. Wain's playful composition brims with character, each cat an actor in this moonless, smoky stage of love and rivalry.
PS
"And then, the lover, sighing like a furnace, with a woeful ballad made to his mistressF eye-brow," is straight from Shakespeare’s "All the world’s a stage" speech in As You Like It (Act II, Scene VII).
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In False Detective, Patricia Walsh captures a life under constant watch--letters censored, calls screened, movements monitored. Through sharp, restless lines, the poem explores paranoia, control, and the uneasy dance between suspicion and self-preservation.
Art:
The Rose (2015) by Cathy Giles -- Painted for our Fall Issue, this luminous study pairs a pale yellow rose with a richly brushed cobalt-blue ground. Poised between stillness and bloom, it speaks of quiet resilience, beauty in simplicity, and the vivid grace of a single moment. |
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Inspired by Paggi’s Venus and Cupid, Greet Tijskens reimagines memory through smalti mosaic. Rooted in Baroque light and maternal grace, this work blends Italian art history with a personal vision shaped by time, illusion, and the fidelity of feeling over fact. |
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In this tender garden elegy, Kathleen Cassen Mickelson reflects on memory, labor, and the quiet transformation of grief. Through pruning, presence, and green promise, the body remembers love-and turns sorrow into soil. A poem rooted in care and renewal. |
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A playful, poignant tribute to artist Louis Wain, whose whimsical, electric cats transcended convention-and perhaps reality. Oonah V. Joslin celebrates his visionary spirit, exploring art, madness, and the feline spark that lit Wain’s extraordinary imagination. |
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This lyrical poem reflects on time, memory, and heritage through the image of an ancient clock tower. With graceful rhymes and quiet reverence, it explores the rhythms of history, the constancy of symbols, and the dreamlike thread connecting past and present. |
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Kathleen Cassen Mickelson's poems trace the contours of memory, place, and quiet revelation. With vivid detail and emotional clarity, she transforms everyday moments--grief, childhood, discovery-into tender meditations on what endures. |
In Transit: A Van, Full of Curiosities
Purpose: To oversee the travel of ideas, the movement of messages, and the transit of curiosities across 'Under Lough Owel.' We’re the invisible network humming between doorstep, sky, and heart. |
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An exploration of how modern artists navigate power structures that echo feudal systems--where platforms replace castles, algorithms stand as patrons, and the image becomes both currency and control. A meditation on survival, resistance, and the cost of saying no. |
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Situated in the barony of Calaforttarrafantonna Under Lough Owel is home to the Tarrafantoonins who settled in the area after the 46th storm when their homeland was overrun. And if one scratches the surface of the village culture, one will find nestled among the reedbeds and rockpools, an area not found on any map but this one, this one of the Port of the Tarrafantonna. |
Stories from our Archive: Kempe and Dodd
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On a quiet bench outside a deli, a child flicks yolks from hard-boiled eggs into the shrubs, while blackbirds descend to peck at the yellow scatter. A woman, brisk and practical, fetches more food; a man in sunglasses eats parfait. From this small tableau, the narrator’s attention drifts inward, to thirst, to absence, to memories of loss. What begins as an ordinary lunch becomes an unsettling meditation on waste, nourishment, and the fragile remains of what is cast aside. |
In this taut, layered short story, Steve Dodd exposes the predatory games of the literary world, where reputation outweighs integrity and the powerful exploit the vulnerable. A grieving sister confronts a celebrated agent who stole her late brother’s ideas and handed them to a Booker, winning novelist. In their verbal duel, sharp with menace, shifting power, and moral ambiguity, publishing is revealed less as an art than a ruthless marketplace. A story of theft, grief, and reckoning, Helena’s Medicine asks what it means to give stolen words back their voice. |
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Prologue Continued
Inspired by a visit to the Benedictine Monks of Perpetual Adoration in Stamullen, Co. Meath, this poem explores the sacred rhythm of chant, memory, and silence. Through layered verse and luminous imagery, it evokes the timeless pull of prayerful repetition, where breath and voice awaken the soul's ancient longing. The cloister becomes a living field--one that remembers, responds, and rekindles grace each time its sacred name is spoken. |
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Timon of Athens
Stephen Zelnick explores Timon of Athens as Shakespeare's most furious, unvarnished critique of greed, flattery, and broken friendship. With insight into its chaotic structure and modern staging, this essay reveals a play that mirrors our own disillusionments. |
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Savonarola
Set in Renaissance Florence, this powerful poem captures the tension, beauty, and destruction surrounding Savonarola’s infamous Bonfire of the Vanities. With vivid imagery of hidden art, sacred fear, and the irreversible cost of creation, it bears witness to a city torn between devotion and expression. Artists vanish, sketches burn, but beauty endures in memory--etched in charcoal, pigment, and conscience.
A haunting elegy for a world that once shimmered in colour. |
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Tracing the legacies of Eleanor of Aragon and Isabella of Castile--two royal daughters whose choices shaped culture and history. From Eleanor's artistic patronage in Ferrara to Isabella’s sponsorship of Columbus, the short piece links brushstrokes and voyages, courts and cathedrals. As the world marks 250 years of U.S. independence, these early echoes remind us how art, power, and faith shaped our present. A lyrical meditation on inheritance, influence, and the enduring symbols that still guide us. |
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In Knotted Fables, John P. Bourgeois weaves classic animal tales into a darkly playful, richly allegorical novella. From a boastful hare and stoic tortoise to a bone-coveting dog and a calculating crane, the stories explore vanity, hunger, and moral compromise. With wit, pathos, and lyrical bite, these reimagined fables reveal the tangled instincts beneath civil disguise-where every creature, no matter how clever or cautious, must reckon with the cost of being hungry, proud, or simply alive. |
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In The Echoing Field, Mari Fitzpatrick blends memoir, mysticism, and memory to explore sacred resonance in places like Ferrara, Knock, and Leitrim. From Eucharistic miracles to personal visions, she reflects on the soul’s capacity to tune into a deeper field of meaning. Drawing on Irish Catholic heritage, poetic insight, and Rupert Sheldrake’s morphic theory, this lyrical essay invites us to consider whether miracles are echoes-ancient notes still sounding for those who listen. |
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Why 'Human Being Responsibilities?' Because fostering respect for human rights contributes to stable and harmonious societies where every individual feels valued and protected. It reduces conflict, enhances social cohesion, and builds trust in institutions. When individuals respect and uphold the rights of others, it creates an environment where equality and justice can thrive, improving overall quality of life. |
Tie One On and the AA
The villagers always said that Tie One On had the name of a man fated for trouble. He was the linesman who never came down from his pole sober, or so Maudie O’Byrne would mutter when the wires crackled mid-rosary.
When he announced he was joining the AA, the whole parish perked up their ears.
“Which AA?" asked Sam Murh Aye, his gaffer.
“The one with the cars?" suggested Apple Beth.
“No, the one with the stars!" said Orla, who claimed she’d seen him stringing fairy lights between Orion’s Belt and the roof of The Echo Shelf.
In truth, Tie One On wasn’t sure himself. He signed his name under a poster pinned crooked on the pub wall. By the time he realised it was for the Amateur Astronomers, he’d already promised Maudie he was turning over a new leaf, and Sam he was volunteering for roadside rescues, and the Snake Sisters that he’d sworn off whiskey.
So now, every Thursday, the man has to juggle all three. One week he’s fixing a broken axle in the ditch, the next he’s peering through a telescope at Saturn, and always, always insisting he hasn’t touched a drop.
Yet, as the village tells it, the wires have never hummed sweeter, the night sky has never glimmered brighter, and the pints at the Whim Whar have never been poured faster.
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Story Portal Submissions Open
Pay it Forward: Magazines and Poetry Books for Sale
Fiction by DeLacy with 'Wings' Prologue and Editor's Note
DeLacy's story resonates because it captures the essence of life's fragility and the significance of how we choose to remember and honor those we've lost. It's a testament to the healing power of storytelling, the comfort found in shared memories, and the enduring strength of familial bonds through the lens of love, loss, and the quirky, unforgettable moments that define our relationships. View Link
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This compilation presents a striking contrast between traditional sayings, reflecting a blend of wisdom, cautionary advice, and folk wisdom, and the philosophical insights of John Dewey, a prominent figure in the philosophy of education and pragmatism. The traditional sayings encapsulate lessons learned through generations, often serving as guidelines for personal conduct, moral behavior, and the understanding of lifeFs unpredictabilities and challenges. View Link
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Editor's Note: The updates from The Linnet's Wings touch on the bittersweet nature of transitions within any endeavor that involves passion and collective effort. The departures of Nonnie Augustine and Diana Ferraro mark the end of chapters but also underscore the impact of their contributions. View Link
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Apple Beth
In The Pieces the Soul Knows by Apple Beth, the unseen depths of the human experience are illuminated through evocative imagery. The poem explores the quiet tremors of heartbreak, unspoken truths, and the wounds hidden beneath masks. A meditative journey through the soul's silent tides, it reflects on choices, dreams, and the healing that softens the edges of life's deepest scars |
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Tick Tock Chekhov by Apple Beth captures the rhythmic essence of time through the metaphor of a metronome. With its steady tick-tock, it becomes a symbol of lifeFs unyielding tempo, guiding moments with precision and grace. From youth to old age, it silently shapes the worldFs rhythm, embodying the relentless yet poetic flow of time, ever-present and unshakable. |
This poem, Bright Sparks by Apple Beth, celebrates the wonder of children as luminous new souls who spark curiosity and joy. With every question, laugh, and tear, they rekindle our sense of wonder and expand our world. The poem reflects the privilege of guiding these bright spirits and honors their transformative power, likening their presence to constellations of hope and love. |
In Beyond Words, Apple Beth crafts a whimsical tale where letters come alive, rallying to debate their evolving roles in language. With humor and charm, the piece explores the tension between tradition and change in grammar and word usage. As letters gather to decide their fate, the story celebrates the creativity and magic of language, offering a playful yet insightful commentary on how we communicate. |
Poets: Walters and Colby
Akeith Walters writes a raw and intimate portrayal of solitude and yearning. Set against the gritty backdrop of a city stoop, the poem captures a rare moment of quiet reflection as the speaker leans against the iron rail, a cigarette in hand and a warm beer by their side. The night is heavy with desire, and each exhaled breath of smoke becomes a silent call, drifting towards a lover five stories above |
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"Broke--20" by Joan Colby is a poignant reflection on the lives of iconic artists and writers. Colby weaves together a tapestry of creative souls like Rembrandt, Poe, Keats, and Van Gogh, juxtaposing their artistic brilliance with the struggles that marked their lives. Each line evokes the haunting images of masterpieces and literary works, underscoring the tragic irony that these creators, who gave the world so much, were often left destitute and misunderstood. |
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Akeith Walters crafts a haunting narrative of longing and loss. The poem is set in a dimly lit kitchen, where the speaker, with a bourbon in hand, is confronted by the spectral presence of a lover lost to time. As the figure's shadow stretches across the yard and the windowpane, the past and present blur, revealing the quiet, unnerving intimacy shared with this ghostly visitor. |
Writing Short Fiction
Bruce Harris's “A Questionnaire Challenge" targets aspiring writers looking to commit seriously to short fiction. The article introduces a series of self-assessment questions to help writers gauge their readiness and knowledge of the short fiction genre before diving into expensive courses or ambitious projects. From reading habits to understanding submission guidelines, Harris's questionnaire offers a practical, introspective tool for writers to identify strengths and areas for improvement. |
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In this insightful interview, Jonathan Taylor, a novelist, memoirist, and lecturer in creative writing, discusses his love for short fiction, its challenges, and its unique rewards. Taylor emphasizes the art of compression, the importance of capturing intense emotions in brief moments, and the significance of reading widely to improve one's craft. He views short fiction as an independent discipline, rich in musicality and oral storytelling traditions, rather than a mere stepping stone to novel writing. |
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In Static by Alison Moore, Wilfred reflects on his marriage to Dorothy, who is now bedridden and battling illness. Wilfred, a man of routine, finds comfort in repairing old things, including the radio that first brought Dorothy into his life. As Dorothy dreams of travel and romance, Wilfred focuses on keeping their life in order, quietly cherishing the memories they've built, even as time and illness threaten to dismantle them. |
Poets: Johnson and Joslin
In I Don’t Mind Muggins Man, Michael Lee Johnson humorously captures the mischievous antics of a spirited Persian cat. From sniffing red-hot peppers to wild leaps across a polished floor, the poem paints a lively portrait of feline chaos. With vivid imagery and playful tone, the poet transforms a moment of everyday life into an ode to the unpredictable charm of a beloved pet. |
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In Time's Garden, Oonah Joslin paints a hauntingly beautiful metaphor for mortality and eternity. The decaying garden, with its skeletal paths and silent sundial, evokes the inevitability of death, while the marble angel offers solace and perspective. Through the angel's guidance, the narrator glimpses the infinite expanse of time, transforming fear into awe and revealing the unity of all existence. |
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In Like Zen, Michael Lee Johnson reflects on the paradoxes of spiritual pursuit and human imperfection. Through vivid imagery of cherry blossoms, monastic simplicity, and fleeting moments, the poem explores the tension between earthly desires and transcendent aspirations. It captures the struggle of balancing Zen-like stillness and worldly chaos with raw honesty and introspection. |
Storytellers: Sky, Coughlan,, Freese, Asante--Illustrations: Dom Capobianco
In "Spring, a Girl" by Jennifer Sky, Spring lies in a field, her white silk dress draped around her, waiting for her lover. As evening falls, she dreams of love and connection to heal past wounds. Surrounded by blooming clover and playful dogs, she longs for Fall, a boy with soft curls, to join her and reignite her sense of beauty. Published in The Linnet's Wings, Fall 2010. |
In "The Red Couch," set in 1970s Buenos Aires, Adriano, a furniture restorer, uncovers a tragic love story while repairing an 18th-century French couch. Hidden letters reveal a forbidden romance between Jorge Flores, a famous tango musician, and his cousin Jennifer, leading to heartbreak and untimely deaths. The discovery ties the past to the present, weaving love, loss, and secrets.
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In "Sweet Cotton," Clarence, a devoted father and chicken farmer, faces the bittersweet reality of his daughter Gracie's wedding and departure. Haunted by memories of his late wife, Clarence discovers a mysterious angel dust after the ceremony, sparking a sense of hope and belief in miracles. A tale of love, loss, and the gentle comfort of unexpected wonders. |
In "Branded" by Shola Olowu Asante, Matt's quiet life is upended when his old flame, Chloe, shows up unannounced, seeking solace from her latest heartbreak. Torn between his past with Chloe and his new relationship with Eve, Matt struggles to resist Chloe's manipulative charm. As tension rises, Matt faces an emotional battle, revealing deeper scars and unresolved feelings that threaten his stability. |
Poets: Johnson and Joslin
In I Don’t Mind Muggins Man, Michael Lee Johnson humorously captures the mischievous antics of a spirited Persian cat. From sniffing red-hot peppers to wild leaps across a polished floor, the poem paints a lively portrait of feline chaos. With vivid imagery and playful tone, the poet transforms a moment of everyday life into an ode to the unpredictable charm of a beloved pet. |
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In Time's Garden, Oonah Joslin paints a hauntingly beautiful metaphor for mortality and eternity. The decaying garden, with its skeletal paths and silent sundial, evokes the inevitability of death, while the marble angel offers solace and perspective. Through the angel's guidance, the narrator glimpses the infinite expanse of time, transforming fear into awe and revealing the unity of all existence. |
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In Like Zen, Michael Lee Johnson reflects on the paradoxes of spiritual pursuit and human imperfection. Through vivid imagery of cherry blossoms, monastic simplicity, and fleeting moments, the poem explores the tension between earthly desires and transcendent aspirations. It captures the struggle of balancing Zen-like stillness and worldly chaos with raw honesty and introspection. |
Poetry: Sheehan, Jensen and Smith
"Sign on a Wall" by Tom Sheehan is a nostalgic poem depicting a worn dough board, symbolizing a mother's labor of love in bread-making. It evokes memories of family, tradition, and the passage of time, blending sensory details with a deep sense of longing and reverence |
Exploring the ephemeral space between day and night, 'Down The Crack With The Crickets' by Kristine Jensen delves into the fleeting nature of thoughts and emotions. An angry thought disappears with the wind, symbolizing lost moments and the struggle to reclaim them. |
Explore the poignant poem Mates by Iain C. Smith, dedicated to Jake and Patrick. Reflecting on the sudden loss of a young life, it intertwines themes of grief, camaraderie, and the fleeting nature of youth, as experienced through the lens of a soccer match metaphor. |
"Explore the evocative poem 'Pipedream' by Iain C. Smith. A vivid blend of memory and observation, it captures a moment of reflection amidst a storm, evoking nostalgia and introspection about family, past experiences, and the transformative journey of life. |
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Poets: Walters and Colby
Akeith Walters writes a raw and intimate portrayal of solitude and yearning. Set against the gritty backdrop of a city stoop, the poem captures a rare moment of quiet reflection as the speaker leans against the iron rail, a cigarette in hand and a warm beer by their side. The night is heavy with desire, and each exhaled breath of smoke becomes a silent call, drifting towards a lover five stories above |
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"Broke--20" by Joan Colby is a poignant reflection on the lives of iconic artists and writers. Colby weaves together a tapestry of creative souls like Rembrandt, Poe, Keats, and Van Gogh, juxtaposing their artistic brilliance with the struggles that marked their lives. Each line evokes the haunting images of masterpieces and literary works, underscoring the tragic irony that these creators, who gave the world so much, were often left destitute and misunderstood. |
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Akeith Walters crafts a haunting narrative of longing and loss. The poem is set in a dimly lit kitchen, where the speaker, with a bourbon in hand, is confronted by the spectral presence of a lover lost to time. As the figure's shadow stretches across the yard and the windowpane, the past and present blur, revealing the quiet, unnerving intimacy shared with this ghostly visitor. |
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Book One: High Hedges |
Book Two: Indigo |
The Crafts |
Price, West, Tepper, Joslin
n "Fungi Light / Fungi Language," Darryl Price contemplates the interconnectedness of life, sitting in the dark of his kitchen, reflecting on how mycorrhizal fungi connect everything, much like music's universal language. Amidst thoughts of light, love, and cosmic connections, he finds solace in nature's quiet reassurance that everything is working as it should, despite life's uncertainties. |
In "Painting the Sky," Bill West tells the poignant story of a man's lifelong connection with the sky. As he recalls childhood dreams, young love, and moments of fear, the sky remains his constant companion. Now, facing an uncertain fate, he finds solace in memories of cloud gazing and the endless expanse above. A moving reflection on life, time, and the enduring beauty of the sky. |
In "Next to Rock," Susan Isla Tepper paints a haunting scene of darkness and isolation. Amidst blue shadows and chilling hands, the narrator's inner turmoil unfolds beside Petrov's laughter by the fire. Struggling with feelings of shame and despair, the narrator seeks comfort and perfection for Petrov while grappling with their own descent into darkness and cold. |
In "Memoire," Oonah V Joslin paints a nostalgic picture of a woman reflecting on her cherished childhood memories in a sun-drenched corner of her grandparents' home. Surrounded by scents of herbs and the warmth of terracotta, she recalls family gatherings, wartime tales, and the simple joys of life. As a resistance fighter, these memories gave her strength, anchoring her forever in her beloved past. |
Art Walls 2014: Spring, Summer, Autumn, Winter
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Essay: Martin Heavisides
Heavisides presents a fresh perspective on the legendary figure William Blake, challenging long-held perceptions that have confined Blake's genius to the realm of literature alone. |
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This work is an exploration of a playwright who dared to venture where few others have, merging the realms of historical and fantastical with a contemporary edge that remains as relevant today as it ever was.
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In this play, Heavisides masterfully crafts a narrative that is not just a story to be told, but a philosophical exploration to be experienced. "Empty Bowl" is a compelling invitation to explore the depths of our own existence and the intricate connections that bind us to the world and to each other. |
Poetry: Michael Lee Johnson
In Crows, Michael Lee Johnson juxtaposes the harshness of winter with the vitality of late summer, weaving a vivid narrative of hunger and survival. Through the eyes of scavenging crows, the poem captures a primal yearning that transcends seasons-an ode to persistence, as the black wings move from barren snowfields to the warm glow of corn-laden August skies. |
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In Like Zen, Michael Lee Johnson reflects on the paradoxes of spiritual pursuit and human imperfection. Through vivid imagery of cherry blossoms, monastic simplicity, and fleeting moments, the poem explores the tension between earthly desires and transcendent aspirations. It captures the struggle of balancing Zen-like stillness and worldly chaos with raw honesty and introspection.
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In Fog Man, Michael Lee Johnson paints a haunting portrait of a solitary figure consumed by fog and memories. Amid obscenities and lunar scrutiny, the fog man’s cries echo through distant dreams of a lost lady. The poem captures the rawness of isolation, pride, and fleeting connections, weaving a visceral tale of human frailty in the misty void between past and present. |
Story: Svehaug, Fitzpatrick and Fisher
In Not Right, Erik Svehaug crafts a chilling exploration of power, control, and the human spirit under oppression. Danford Fortegeist, a plantation owner driven by experimental ambition, treats his slaves as tools for his schemes. Through Fancy, a boy caught between identities and cultures, the narrative delves into resilience and the cost of freedom. A harrowing tale of systemic cruelty and defiance. |
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In A Windy Day in Connemara, Mari Fitzpatrick crafts a vivid portrait of natureFs raw power and serene beauty. The poem captures the rhythmic pulse of the ocean, the grace of seabirds, and the majesty of a lone deer in the coastal expanse. Through rich imagery and lyrical storytelling, it intertwines the chaos of the elements with the delicate balance of life, celebrating the untamed spirit of Connemara. |
n Shiva by Ian Fisher, Ailbe orchestrates an extraordinary 75th birthday celebration for Ira, a reclusive man burdened by isolation. The lavish party features a Mandarin duck, snowfall, and virtual avatars of his favorite authors. Blending nostalgia and futuristic tech, it explores memory, connection, and human longing. |
Drum School by Erik Svehaug, young Costas is cast out by his family into a life of hardship, eventually becoming a galley rower and discovering the transformative power of rhythm. Through grueling training, camaraderie, and mentorship, he finds redemption and purpose, his scars symbolizing resilience. A tale of loss, endurance, and identity, Costas journey honors his past while embracing a powerful future. |
Poetry: Mickelson and Graham
In a humid August kitchen, blue jays squawk as cucumbers, onions, and garlic lie in preparation for pickling. The search for canning supplies consumes days, while memories of a mother's past canning intertwine with reflections on inherited traits and parenting. |
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At a grave, the narrator receives a box of ashes, the remains of a loved one. Struggling to find poetry in the moment, they recount the cremation process and the stark reality of loss. |
In "When the Morning is a Prayer," Kathleen Cassen Mickelson captures the serene beauty of a winter morning in Minnesota. The poem unfolds like a series of cherished gifts: |
"Ghost" by James Graham is a hauntingly beautiful exploration of memory and loss. In the quiet aftermath of a loved one's passing, the poet describes the emptiness of a house once filled with life and conversation. As time passes, memories of the departed begin to resurface vividly--their eyes, voice, and laughter lingering like a comforting ghost. Graham's poignant verses capture the enduring presence of those we have lost, transforming grief into a gentle daily companion that brings solace and quiet strength. This poem is a touching tribute to the enduring power of love and memory. |
Walters, Bittner, Walters
Old convertible, top down, and I don't mind my hair blowing In the wind. He likes that. The dirt road is rutted, dusty, curvaceous as a sidewinder. |
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In the druse of a rock, in a bed by a stream,/I remember how we'd plan, and I relish how we'd scheme,/search for sloughs in the rock, slither down upon a beam,/and without a worry split through the cracks to a dream ... |
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There is silence in the cold morning air./Snow over red rock, green juniper dusted with sugar./The world is a frosted wedding cake.//It is the Grand Canyon in winter, our third anniversary |
Writing Short Fiction
Bruce Harris's “A Questionnaire Challenge" targets aspiring writers looking to commit seriously to short fiction. The article introduces a series of self-assessment questions to help writers gauge their readiness and knowledge of the short fiction genre before diving into expensive courses or ambitious projects. From reading habits to understanding submission guidelines, Harris's questionnaire offers a practical, introspective tool for writers to identify strengths and areas for improvement. |
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In this insightful interview, Jonathan Taylor, a novelist, memoirist, and lecturer in creative writing, discusses his love for short fiction, its challenges, and its unique rewards. Taylor emphasizes the art of compression, the importance of capturing intense emotions in brief moments, and the significance of reading widely to improve one's craft. He views short fiction as an independent discipline, rich in musicality and oral storytelling traditions, rather than a mere stepping stone to novel writing. |
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In Static by Alison Moore, Wilfred reflects on his marriage to Dorothy, who is now bedridden and battling illness. Wilfred, a man of routine, finds comfort in repairing old things, including the radio that first brought Dorothy into his life. As Dorothy dreams of travel and romance, Wilfred focuses on keeping their life in order, quietly cherishing the memories they've built, even as time and illness threaten to dismantle them. |
Zelnick: Dwindling: the Shrinking Citizen
John Milton never attended a Trump rally, but Paradise Lost depicts satanic demagogy and citizens dwindled to mere onlookers, overwhelmed by giant voices. In the great hall of Pandemonium, the rebels against God gather to decide next steps. Giant angels, now tarnished by betrayal, swarm into the vast auditorium. They are too large to fit; Satan downsizes them |
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