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Pay it Forward: Magazines and Poetry Books for Sale





Essay: Zelnick

Stephen Zelnick moves from Oliver Goldsmith’s exuberant comic theatre to the fierce, changing poetic voice of Alfonsina Storni and the restless, formally inventive verse of Thomas Hardy. With wit, close reading and a keen ear for language and performance, these essays place each writer within the pressures of their time — love and marriage, social convention, gender, faith, war and mortality — while exploring how voice, form and imagination transform lived experience into enduring art.

In "The Working of Pure Gold," Stephen Zelnick explores the life and works of Oliver Goldsmith, a brilliant yet flawed Irish author. Despite his many shortcomings, including envy, debt, and self-destructive behavior, Goldsmith's writing talents earned him enduring fame. Zelnick focuses on Goldsmith’s comedic masterpiece, She Stoops to Conquer, examining its wit, satire, and the dynamic portrayal of love, marriage, and societal expectations. The essay celebrates Goldsmith's ability to blend humor with serious themes, ensuring his place among the literary greats.

Stephen Zelnick's essay "Spanish New World Poetry" explores the profound impact of Latin American democratic movements through the lens of poetic voices, focusing on Argentine poet Alfonsina Storni. Zelnick delves into Storni's work, examining her defiant stance against the societal expectations placed on women and her poetic evolution from romantic musings to sharp, modern realism. Through her haunting imagery and poignant themes, Storni captures the struggles of Latin American women against machismo and societal oppression, offering both personal and universal reflections on love, pain, and independence.

In Thomas Hardy, Poet, Stephen Zelnick examines Hardy's s transition from a celebrated novelist to a dedicated poet, highlighting his unique voice shaped by gothic influences, regional accents, and deep skepticism. Zelnick explores Hardy'ss vast poetic range, from light-hearted carousing to profound meditations on war, love, and existential doubt. Hardy’s poems, rich in emotion and experimentation, reveal a man deeply connected to the rhythms of rural life and troubled by the uncertainties of modern existence.

Writers: Bittner, Heavisides and Augustine

Three writers from the early years of The Linnet’s Wings approach love, art and companionship from very different directions. Nonnie Augustine imagines a shared life made beautiful by time and mutual care; Russell Bittner turns the coming of dawn into an intricate, passionate argument for desire; and Martin Heavisides celebrates the unruly theatrical imagination of Peter Barnes. Together, the pieces retain the warmth, wit and willingness to take risks that helped shape the magazine’s beginnings.

Across five exuberant sonnets, Russell Bittner turns the coming of dawn into an elaborate argument for desire. Doves, stars, moon, sun and hill are recruited into a witty, formally playful courtship in which arithmetic, prudence and passing time are repeatedly challenged by the sheer appetite to love, risk and delight..

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Martin Heavisides makes an impassioned case for Peter Barnes as one of the great, insufficiently recognised comic dramatists of the modern stage. Moving through The Ruling Class, Laughter!, Red Noses, Dreaming and Barnes’s shorter works, he celebrates a theatre of extravagant invention in which comedy confronts cruelty, hierarchy, death and received wisdom without surrendering its delight in human possibility.

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“In Time” by Nonnie Augustine imagines a shared future built not from perfection, but from beauty, wear and mutual care. From a rain-sheltered café in Montmartre, the speaker looks ahead to chipped porcelain, faded carpets, Mozart in an ageing car and two lives learning to steady one another. Tender and quietly assured, the poem finds enduring love in the graceful acceptance of time.

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Poetry: Sheehan, Jensen and Smith

These poems move through memory, love, grief and the lingering presence of the past. Tom Sheehan finds a mother’s labour and affection still held in the worn surface of an old dough board, while Kristine Jensen traces the damage of an angry thought and the longing to recover what has been lost. Iain C. Smith’s Mates reflects on friendship, sudden death and the preciousness of the time still granted to us, and Pipedream returns through storm, smoke and remembered domestic detail to childhood, family tensions and an earlier world. Together, the poems show how ordinary objects, gestures and moments can carry whole lives within them.

"Sign on a Wall" by Tom Sheehan is a nostalgic poem depicting a worn dough board, symbolizing a mother's labor of love in bread-making. It evokes memories of family, tradition, and the passage of time, blending sensory details with a deep sense of longing and reverence

Exploring the ephemeral space between day and night, 'Down The Crack With The Crickets' by Kristine Jensen delves into the fleeting nature of thoughts and emotions. An angry thought disappears with the wind, symbolizing lost moments and the struggle to reclaim them.

Explore the poignant poem Mates by Iain C. Smith, dedicated to Jake and Patrick. Reflecting on the sudden loss of a young life, it intertwines themes of grief, camaraderie, and the fleeting nature of youth, as experienced through the lens of a soccer match metaphor.

"Explore the evocative poem 'Pipedream' by Iain C. Smith. A vivid blend of memory and observation, it captures a moment of reflection amidst a storm, evoking nostalgia and introspection about family, past experiences, and the transformative journey of life.




Essay and More: Zelnick, Fitzpatrick, Giordano

These three pieces explore creativity, interpretation and the unpredictable places from which stories emerge. In the opening reflection, an ordinary encounter between a cat and mouse becomes the starting point for poetry and an experiment with artificial intelligence, showing how a writer can remain the imaginative director while using new tools to examine movement, structure and technique. Stephen Zelnick’s Chekhov’s Dark Comedy revisits The Seagull as a work of irony and restraint rather than conventional melodrama, considering Chekhov’s refusal to judge his characters or force life into easy conclusions. Joe Giordano’s The Mandylion shifts into suspense, where art expertise, family loyalties and an alluring figure from the past draw Anthony Provati toward a potentially dangerous million-dollar proposition. Together, the pieces consider how observation becomes art, how interpretation changes what we see, and how curiosity can lead us into territory we never expected to enter.

Chekhov's Dark Comedy, Stephen Zelnick explores the enigmatic nature of The Seagull, a play Chekhov envisioned as comedy but layered with despair, cruelty, and unfulfilled lives. Zelnick examines Chekhov’s nuanced storytelling, which mocks genre conventions, embraces subtle irony, and resists tidy conclusions. The essay celebrates Chekhov's artful portrayal of flawed humanity amidst societal decline.

In Picture on Picture, Mari Fitzpatrick captures the lively interplay of nature and imagination through a vivid cat-and-mouse chase by a rain barrel. Blending humor and reflection, she contrasts the raw vitality of the pursuit with the serenity of a garden setting. The piece evolves into a poetic exploration of movement, tension, and the delicate balance of life in its fleeting moments.

In The Mandylion, Joe Giordano intertwines art, danger, and family dynamics through the lives of Anthony and Valentina Provati. This gripping excerpt sets the stage for a high-stakes narrative as Anthony, a Manhattan art dealer, is drawn back into a dangerous world by Sophia, an alluring figure from his past. With Valentina’s sharp wit and FBI expertise, the siblings navigate temptation, loyalty, and the shadowy underbelly of the art world.


Poetry by Paul Hostovsky and Art Selection (2013)

Paul Hostovsky’s poems “Aubade” and “Romantic” bring wit, warmth and a wry eye to everyday experience: one turns sunrise into a comic drama of exuberance and indifference, while the other follows the irresistible pull of poetry, beauty and romantic impulse. Paired with a selection of original artwork from The Linnet’s Wings’ 2013 archive, the display brings together poetry and image in a lively celebration of imagination, observation and the small moments that unsettle ordinary life.

Aubade uses these vivid personifications and contrasts to create a playful yet poignant commentary on the nature of enthusiasm, routine, and perhaps the human tendency to become jaded or unappreciative of the everyday wonders of the world.-

This section of the website displays original illustrations and details their use in various literary contexts. For more information and to view the artwork, you can visit the page by clicking on the imagge. Thanks!

Hostovsky writes about the allure of poetry and the arts, and how they can inspire us to make choices that might not seem logical but are deeply appealing to our sense of beauty and romanticism.



Poetry: Fitzpatrick, Robillard, Bennett

These four poems move through imagination, memory, childhood and transformation, each finding something luminous beneath the surface of ordinary experience. From the sea-bound fellowship of *The Melody and the Song*, through Evie Robillard’s tender glimpses of children growing toward an unknowable future, to Maria Isakova Bennett’s richly tactile meditation on pigment, art and the body, the poems are linked by a sense of passage. Seasons turn, children change, journeys continue, and colour, story and human connection become ways of carrying experience forward.

Through 'The Melody and the Song,' we are transported to a world where the magic of storytelling and the power of nature converge, offering us a glimpse into the heart of what it means to be part of a family, part of the endless cycle of tales and melodies that bind us a

Robillards' poem will resonate with with anyone who has experienced the transition from childhood to adulthood, evoking both nostalgia for what is lost and an appreciation for the growth that change brings.

A call to embrace the cycles of life, with all their complexities and nuances, and to find beauty in the familiarity of the recurring themes that shape our existence.

Explore 'The Source of Madder' by Maria Isakova Bennett, a vivid poem in The Linnet's Wings 2013 Winter Issue, delving into art's essence, creation, and transformation through the alchemy of madder dye.






Writers: Schwartz, Biswas, Robinson

These three stories move through dream, memory, and family inheritance, each finding strangeness inside the ordinary. David G. Schwartz’s playful surrealism follows animal wisdom and dream logic into a world of ravens, dogs, dawns, berries, parachutes, and elephants. Beside it, Biswas writes a quiet magical-realist piece that returns a woman to the living power of books and stories, and Bill Frank Robinson’s “Grandma’s Story” roots the gathering in oral family history, where circus roads, prizefighting, early cars, love, loss, and rough humour become part of the Archie family chronicle. Together, the pieces celebrate storytelling as wonder, recovery, and remembrance.

David G. Schwartz’s “Do Elephants” is a playful surreal prose piece that turns a simple question into a tumble of dream logic, animal wisdom, barking dogs, cawing ravens, dawn-built days, berry bushes, parachutes, and the mysterious dignity of elephants.

A subtle, magical realist story about a woman who has drifted away from books, only to find herself drawn back into reading through memory, unease, and the living presence of stories.

In “Grandma’s Story,” Bill Frank Robinson lets family history spill out through Grandma’s memories of circus roads, prizefighting, early automobiles, love, loss, and Lonnie’s fateful encounter with Todd Toolbee. The piece blends humour, grit, and oral storytelling into another vivid Archie family chronicle.




Voices Against Silence: Harris, Walters, Tallefer

Three works confront the pressures that silence people: guilt and the search for redemption, the double-edged longing for flight and freedom, and the struggle for safety and dignity in the face of hostility. Harris, Walters and Taillefer turn fear, vulnerability and human experience into voices that insist on being heard.

"Human Noise" by Bruce Harris is a compelling exploration of the human condition, delving into the depths of love, guilt, and redemption. It serves as a reminder of the complexity of human emotions and the continuous journey towards understanding, acceptance, and healing.

Ann Walters' poem intricately weaves together these narratives to present a multifaceted exploration of flight, capturing its beauty and brutality, its capacity for liberation, and its potential for sorrow. The repeated motif of flying serves as a powerful metaphor for the human condition, reflecting our deepest desires, fears, and the inevitable search for meaning beyond our tangible experiences.

Venom by Dennis Tallefer explores the complexity of human emotions and the struggle for personal safety and dignity in a world that can be unwelcoming and dangerous for those who are perceived as different; it also highlights the need for empathy and understanding towards individuals who are fighting their own battles, both internal and external.




Art Walls 2014: Spring, Summer, Autumn, Winter

Spring

Summer

Autumn

Winter





Writers: MacIsaac, Kluger, Zelnick

A summer gathering of fiction and essay from Dan MacIsaac, Adam Kluger, and Stephen Zelnick: three pieces that move through story, character, comic unease, and literary discovery, ending with the music and force of Rubén Darío’s New World imagination.

Dan MacIsaac’s “Cherry Ripe” follows a farm-bound son on Vancouver Island after his father’s death in war, as a fierce mother, hard labour, valley gossip, a schoolmaster, and the discovery of poetry draw him toward feeling, longing, and self-knowledge.

Adam Kluger’s “The Party” is a wickedly comic dialogue of literary appetite and social performance, where talk of prose, platform, food, friendship, and flesh turns darker by the line.

Stephen Zelnick’s “New World Poetry” follows Rubén Darío from Nicaragua into modernismo, politics, myth, and cultural resistance, tracing the music and force of a poet who carried the New World into literature.





Short Stories: Helgadóttir and Braverman

Two sharply different stories explore the uneasy claims of the past. In Margrét Helgadóttir’s The Pact, Tuva returns to her family’s abandoned tivoli in a remote mountain clearing and discovers that an old bargain with the mysterious grey people is more than folklore. Alex Braverman’s Mozart and I moves through musical parody, dark comedy and Holocaust-shadowed family memory to examine fathers and sons, artistic inheritance, expectation, and the impossible demand that art should answer history.

Helgadóttir's writing style is lyrical and evocative, drawing the reader into the story with vivid imagery and a sense of foreboding. The blend of history, particularly the references to World War II and the resistance movement, with folklore creates a unique and engaging narrative. This piece is a testament to Helgadóttir's skill as a storyteller and her ability to create a world that is both fantastical and deeply rooted in human emotions and experiences.

Mozart and I by Alex Braverman is a narrative that captures the essence of what it means to be an artist and the often tumultuous journey of balancing personal vision with external pressures. The narrative oscillates between admiration and resentment, showcasing how genius can be both a gift and a curse. The reference to Chaim Potok's novel "My Name is Asher Lev" serves as a poignant parallel, highlighting the universal struggles of artists who must navigate the tensions between their creative expressions and the values of their communities or families.








Poetry: Mickelson and Graham

Four poems explore the ways ordinary things hold what time threatens to take from us. Kathleen Cassen Mickelson finds inheritance, unease and tenderness in a first attempt at preserving summer, then turns to a snowy Minnesota morning where moonlight, crows, an old dog and a loved one make the everyday feel like prayer. James Graham writes from the harder country of bereavement: confronting the blunt material fact of ash before poetry can return, and later discovering that memory can quietly repopulate an empty house with a familiar voice, a glance and a consoling ghost.

In a humid August kitchen, blue jays squawk as cucumbers, onions, and garlic lie in preparation for pickling. The search for canning supplies consumes days, while memories of a mother's past canning intertwine with reflections on inherited traits and parenting.

At a grave, the narrator receives a box of ashes, the remains of a loved one. Struggling to find poetry in the moment, they recount the cremation process and the stark reality of loss.

In "When the Morning is a Prayer," Kathleen Cassen Mickelson captures the serene beauty of a winter morning in Minnesota. The poem unfolds like a series of cherished gifts:

"Ghost" by James Graham is a hauntingly beautiful exploration of memory and loss. In the quiet aftermath of a loved one's passing, the poet describes the emptiness of a house once filled with life and conversation. As time passes, memories of the departed begin to resurface vividly--their eyes, voice, and laughter lingering like a comforting ghost. Graham's poignant verses capture the enduring presence of those we have lost, transforming grief into a gentle daily companion that brings solace and quiet strength. This poem is a touching tribute to the enduring power of love and memory.


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Jingle

As soon as the coin
in the coffer rings,
a soul from
purgatory springs.


Frankminted Print Cover

Cover for our Halloween 2026 magazine.
Image Old Mother Autumn, 2026
Mixed Media on Card, Artist, Marie Fitzpatrick

Requiem to the Forgotten

Step into a spellbinding All Hallows' Eve where music transcends the living and the dead. Requiem to the Forgotten is an enchanting tale of spectral orchestras, legendary composers, and the undeniable power of melody. From Liszt’s haunting sonnet to Freddie Mercury’s dazzling entrance, the stage is set for a concert unlike any other—complete with witches on bicycles, a poetic tribute to lost souls, and a surprise appearance by Death itself.

Mari Fitzpatrick's richly imagined story blends humor, reverence, and a touch of the supernatural, inviting listeners to reflect on the timeless connection between art and the human spirit. Whether you’re a fan of classical music, theatrical storytelling, or eerie yet heartwarming tales, this podcast will leave you spellbound.

Tune in to experience an unforgettable night where the echoes of the past resonate with the living.




Ancestor

A long-dead frontier woman continues to watch over the family, her fierce history lingering in a portrait that unsettles the children.


Lock of Hair

Barry Charman’s Lock of Hair is a quiet, affecting poem about grief, memory and the small objects that hold the presence of someone lost, where a single lock of hair becomes an intimate reminder of love and absence.


How Winter Reduces Me

Kathleen Cassen Mickelson’s How Winter Reduces Me reflects on ageing, an emptying home and the shrinking orbit of daily life, as snow, memory and an elderly dog sharpen the speaker’s longing for children, companionship and former vitality.


It Is a Year Today

Margot Brown's It is a year today returns to Hardings Beach and a last picnic, where tide, gulls, memory and silence hold the shape of grief.


Memory and The Rainy Day

Joseph Sheridan Le Fanu’s “Memory” and Henry Wadsworth Longfellow’s “The Rainy Day” explore memory, grief, endurance and the quiet persistence of hope.


Lily Pond

Sheehan’s Lily Pond remembers Saugus, Massachusetts through winter hockey, summer swims, vanished shorelines, old friends, childhood freedoms, and the enduring pull of a town carried forward in memory, loss, weather, work, love, and…



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